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Works In Progress

If you're interested in buying one of these instruments, please email me at:
sales@dewguitars.com, or call me at (401) 722-7168.


I currently have the following guitars in progress:
Simply click on the thumbnail photos to get to the bigger pics.


Small Jumbo - Cocobolo / Adirondack Red Spruce


Cocobolo / Adirondack Spruce SJ


Adirondack Spruce Top


Highly Figured Cocobolo Back


Nicaraguan Cocobolo Side

An SJ, this guitar promises to be an exceptional sounding instrument. It already has fantastic resonance.
It has a Master grade Adirondack top and a beautifully figured Nicaraguan Cocobolo back and sides.
It also has red abalone heart pearl in the rosette and around the perimeter of this lightly bear-clawed top.
The body is bound in ebony, with Black/White purflings on the sides and back.
This guitar will be fitted with an ebony bridge and fretboard, and the headstock will have a
matching piece of Cocobolo, taken from the same piece of wood as the back.




OM - Black Acacia / Italian Spruce


Italian Spruce / Black Acacia OM


Italian Spruce / Black Acacia OM


Black Acacia Back


More Pics:
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Black Acacia is a wonderful tonewood. It is similar in appearance to it's cousin Koa, but lighter in color, and is thought to be
an even better tonewood. This OM will have a classic OM sound, perfect for fingerstyle or folk style music. The Italian Spruce top is beautiful. It has cocobolo bindings, and a Paua Abalone center ring in the rosette.


OM - Brazilian Rosewood / Adirondack Red Spruce

 





This is guitar is being made for the New England Luthiers Group OM Colaboration project.
It will have some traditional appointments including a 3-ring rosette with red heart abalone center ring,
as well as grained ivoroid bindings. It is still open to debate wheter or not this will be a Style-45 instrument. In all likelihood,
it will be a Style-42, but I can still change my mind on this. The sides are beautifully quartersawn,
straight-grained, brick red Brazilian Rosewood brought into the U.S. back in the early 1960's. They also exhibit some
beautiful spider-webbing. The back is mostly nicely quartered, with a great spalted sapwood stripe up the middle.
The Red Spruce top is nice and hite, with wide grain like what is typically found on pre-war Martin guitars.